Well, the other day, Dr. Fletcher got Oklahoma! on my mind and since it is one of my good old favorites, I
decided to use that one for my very last show and tell blog post. Like Dr. Fletcher said, it was one of the
very first musicals as we know it musicals so it is pretty old. It is based off a play written in 1931 called
Green Grown the Lilacs by Lynn
Riggs. Later, it was turned into the
beloved musical by Richard Rogers and Oscar Hammerstein II. Its first notable performance was in 1943 on
Broadway and it was an incredible success.
It has been reproduced many, many times since then and continues to
charm audiences today.
Oklahoma! is the
story of a young farm girl named Laurey living in Oklahoma territory right
after the turn of the 20th century.
We meet the cowboy Curly McLain and farm hand Jud Fry who both have
their hearts set on the pretty Laurey, Ado Annie her flirty best friend who “cain’t
say no”, Will Parker the rope swinging cowboy, Ali Hakim the traveling salesman,
and Aunt Eller Laurey’s (and pretty much everyone else’s) aunt. It’s a story of two love triangles. While Laurey and Curly both try to play “hard
to get,” Jud (who is a little bit stalkerish) tries to go after Laurey. On the other side of the story, there’s Ado
Annie who is young and naïve. Will Parker,
who she promised to marry, has been away for a while at a fair competing in a
roping contest. When he returns after winning
$50, he discovers that Ado Annie has fallen for a Persian peddler man (Ali
Hakim) who she truly believes wants to marry her. Unfortunately, Ali just wants one night at
the hotel with her before he leaves town.
The play tells the story of how the two girls figure out how to work
through their love triangles and end up marrying the right man.
The order of scenes in the first act is very notable. There is a scene introducing each character
and the story begins to develop before we really get to see much about the
character of Jud. All of the scenes are
very light and happy. The music is
upbeat and playful. A little over halfway
through Act 1, though, there is a shift.
During the song “People Will Say We’re In Love,” there is a significant
shift in the rhythm of the song after Curly leaves and Laurey continues the
last refrain. This segues into the first
scene in Jud’s smoke house. This entire
scene has a darkness surrounding it and the music definitely reinforces
that. Curly and Jud sing the song about
what Jud’s funeral would be like. Jud
tells a story of how a farm hand burned down a farm and the family that lived
there when his affections for the girl weren’t returned. When Jud is finally left alone again, the
dark mood continues in his song “Lonely Room” where we see a bit more of who he
is and his desires. The dream sequence
that follows that stays in the more serious place as well. It contrasts all of the happy scenes
introducing the characters and focuses in on how Laurey and Jud are actually
feeling about things.
The second noteworthy choice is sequence of the scenes in
Act 2. There is a very clear back and
forth in the rhythm of the scenes. It
begins with the very lighthearted scene at the Box Social with laughing and
dancing, then the auction scene where Curly and Jud bid on Laurey’s hamper—really
bidding on her, then “All Er Nuthin’,” the song where Will and Ado Annie decide
to either love only one another or not at all, then a scene with Jud and Laurey
full of intense dialogue followed by the decision of Laurey and Curly to be
married, then a scene where Ali Hakim shows Ado Annie how they say goodbye in
Persia (a big kiss) and Will shows Ado Annie how they say hello in Oklahoma (an
even bigger kiss!), last there’s a huge fight between Curly and Jud where Jud
actually dies, and in the end Ado Annie and Will Parker come in with a humorous
line to finish off the play. There is an
extremely obvious tension and release pattern between the scenes with Ado Annie
and her men vs. the scenes with Laurey and hers. Ado Annie, Will, and Ali’s scenes are all
very amusing and comedic and the music in them helps to create that feeling
while Laurey, Jud, and Curly’s are all very intense and dramatic with the music
backing that up as well. I feel like
this story could easily be switched. The
way in which each story is told sets up how it ends up feeling. The stories of Ado Annie and Laurey and their
trouble with boys truly aren’t very different.
Ali Hakim could easily be portrayed as manipulating con man and definitely
a villain taking advantage of a young naïve girl. While if Jud had different music and rhythm in
his lines, he could be portrayed as a sort of goofy and socially awkward farm
hand that has his sights set on a pretty girl seeming far out of his reach.
Hi, Gracie--
ReplyDeleteCool post. FYI: The play by Riggs is _Green GROW [not GROWN] the Lilacs_. Word is that the musical is an improvement. Having seen another Riggs play long ago, I am inclined to agree.
Cheers,
JF
Ah! Sorry! I did actually know that, but that was a typo. I read some of Green Grow the Lilacs (found it online) and it was obviously similar, but definitely didn't have the same natural flow that I found in Oklahoma! It actually still had a good bit of music in it, but it didn't seem to really have anything to do with the plot. I definitely prefer Oklahoma! though.
DeleteHaving never seen Oklahoma, the way you describe it makes me think back to what we discussed of The Well-made Play format. If you were to look back and try to compare the way it builds and releases,how would you compare it to a well made play? Also, how would do you think the songs would affect that relation?
ReplyDelete